Digital Collage. Based on: Man Ray, Main Ray, 1935.
“Culture increasingly demands our attention, whereby the social influencers maintain they grasp over an ever developing platform. With the social presence of the spectator and performer the public has to select and share themselves to now be present”. Rory Laycock
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Digital collage. Based on: Man Ray, The Poet, 1938.
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Digital collage. Based on Magazine Cover: CABARET VOLTAIRE, Zürich, June 1916
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Digital collage. Based on: Kurt Schwitters, Die Kathedrale, 1920; Man Ray, The Poet, 1938; Man Ray, Orchestra, 1926; Man Ray Non euclidean object, 1932;Man Ray, Masque Kiki, 1962.
“Sir Mix-a-Lot. Man Ray over DER ZELTWEG; Kurt Schwitters over Man Ray The Poet; Man Ray Orchestra over Kurt Schwitters Die Kathedrale; and over Man Ray, Man Ray Non euclidean object. Over this one, eye and lip Masque Kiki by Man Ray with ornaments from Raul Hausmann collage. Signed by Tristan Tzara. No. 1. And so on“. Cless
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Digital collage. Based on Magazine Cover: 391 New York, N.3, 1 March 1917
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Markers and digital collage. Based on: Man Ray, Belle Haleine, 1920.
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Glitch, pixel sorting, databending, digital collage. Based on: Lázló Moholy-Nagy, Untitled, 1927; Hans Richter, Untitled, 1961. Magazine covers: 391, New York, N.3, 1 March 1917; Cannibale, Paris, 25 May 1920
“Dada graphic with a touch of digital glitchs”. Daniele Carrera
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Digital collage. Based on: New York Dada, New York, April 1921
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Digital collage. Based on: László Moholy-Nagy Untitled, 1927
“Digital manipulation, printed, cut, watercolour, scanned and digital manipulated again“. Mariana Gomez Velasquez
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Photograph of cracked screens and digital collage. Based on: László Moholy-Nagy, Mord auf den Schienen, 1925
“I decided to forgo the literal depiction of a threat in favor of a looming presence. While the broken screens appear inherent to the laptops, the symmetry between them suggests a window into another world.
John Bumstead owns a laptop repair business and his work generally utilizes a combination of broken screens and the output of defective graphics processors”. John Bumstead
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Digital Collage. Based on Magazine Cover: 391 N.3, New York, 1 March 1917
“With this work, inspired by one of the picabia’s drawing, i tried to remake an image cover of a magazine. I adapted this cover on Punisher’s comics”. Marco Lonati
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Digital Collage. Based on: Man Ray, Decanter, 1926
“How every net artist should work on Dada 100”. Simone Gilberti
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Digital Manipulation, Digital Collage. Based on: Man Ray, Rayogram, 1924
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Collage. Based on: Man Ray, The Poet, 1938
“Transplantation of Hair-Sculpture to the bottom of the head as a deconstructive DaDa-act”
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